Thursday, July 03, 2008

Cross purposes.


Cross Purposes.

In the next Passion Play
we produce
I want to be the star.

The crucified not the cross.

I’ve done the supporting role
the mast and the spar
rooted and rigid
in the background of your agony
without so much as a line.

It isn’t even a part
it’s a prop.

It takes good acting
to stand in the stuff of the set
like the wall
in a Midsummer Night’s Mummery
but without a single word
that will ever be heard.

No introduction or explanation.

No restless movement
of painted fabric.

Stolid and grim
in the threatening
silent meditation
of an instrumental thing
death and torment dealing
without feeling.

Yet infinitely divine
in structured geometry.

Determined in the doing
of it’s being
to be more
than an environmental accessory.

So when the curtain opens again
you can be the craven tree
and I will be the victorious victim
bashing the back of my bloodied head
into the joints of your cross piece fitting
until bits of flesh and skull bone
seal your fixing
like glue.

I will bleed and sweat
and piss and shit
and weep and spit
roaring and wriggling
groaning and jerking
screaming and cursing
pleading and bleating
and I’ll twist and writhe
through every second I’m alive.

I will work my body fluids
into your heart
through the grained folds
of your growing.

I will scrape the skin
from my heels and calves
and thighs and ass
back neck arms and shoulders
onto the whorls and knots
and rough hewn edges
of your natural and man made design
until chunks of me
have joined with you
in uncleansable
inseparable
perpetual union.

Then in my final glorious scene
in a dying shuddering spasm
I will magnificently forgive you
for being what
you are.

Then when the crows have torn out my dead eyes
and the vultures
and the climbing midnight rats
and wandering bats
and munching maggots
have gobbled my flesh and guts and veins
the wind will pull
at my bleached brittleing bones
until they fall in a heap
at your faultless foot
russet stain steeped
in my dried blood
and then … then … then …
as nature is wont to do
she will turn
on you.

Birds that perch on your arms
will splatter
their white waste
on your greying rottenness.

The foul of fowl
will mix with my stinking
shredded skin and baked blood
which with the last of your sap
will be boiled to a broth
in your innards by the sun heat
cooking a savoury soup
for wood lice and worms
that will drill and slowly kill
the last vestiges of life
in your once green heartness
as you crumble
and fall apart.

My bones will have been carried off
by foxes and dogs
save the tiny chips that remain
at your base
left from the gnawings
of mice and voles.

The slender slivers of grime
rotted wood that made you
will mingle with my bone chips
to be breeze brushed away
together in the anonymous sands
drifting and dancing
in dunes and depressions
until the globe is swallowed by the sun
when the sands will be flung
across the heavens
to be sucked in by some gravity thing
and another star is born
to play it’s part
in the so called beautiful
tragic drama
of passionate doom.

Boxing days.


Boxing days.

I used to go years between funerals;
but now,
everyone I know
seems to be popping their clogs,
taking the train to Croak city,
kissing their asses goodbye:
Cashing in their chips;
or so we speak who survive,
in efforts to find darker
and brighter ways
to say.
They die.

There is some funerary variety.
Some are soulful,
sobbing affairs.
Desolate disconsolate people
who can’t be comforted:
Un … comfortable.
Crucified by their cares.

The celt throwbacks
dredge up druidic rites
in christian guise,
seeking to celebrate the old belief
that death is a beginning,
whilst birth is an end
to the reverie of Sidhe.
A whitewashing of grief.
Some wakes are booze ups
that end in punch ups.
As former foes and forgotten enemies
gather by the bier and meet.
And sleeping old resentments,
suddenly get to their feet.

Some are massive. Full to bursting churches.
Everyone asking, Who is he? Who is she?
Who are they?
How did Jim know
that man there?
He looks as if he’s gay!

And some are very small.
Hardly anyone there at all.
The clergy person,
a woman in a felt hat from Glebe Street
who comes into the church,
every time it’s doors open.
The hired pallbearers, gratuitously
grim, with gloomy faces.
A neighbour of the deceased who says,
‘I didn’t really know her well,
but I thought I ought to come.
Just the same.’
And the lady in the chintz overall,
who changes the flowers
in the vases.